Love Lessons from the Ginsburgs’ Kitchen

We all grieve in our own ways. After recovering from the initial shock of Supreme Court Justice Ruth Bader Ginsburg’s death on September 18,  I started cooking.

Chef Supreme cookbook
Chef Supreme: Martin Ginsburg

Not from just any recipe, mind you. I resolved to sample recipes from Chef Supreme: Martin Ginsburg, a slim spiral-bound collection of recipes that I had purchased a year earlier at the U.S. Supreme Court’s gift shop. I figured that eating the same food prepared for the late justice by her beloved husband of 56 years, Martin, would nourish me emotionally as I adjusted to the nation’s loss of a great feminist icon.

Cooking is love

In the process, I learned more about cooking; more about Martin, who died in 2010; and more about marriage – at any rate, about a marriage that really worked, due in large part to Martin’s devotion to his wife, which he expressed through cooking.

I already had a general idea about the starring role Martin’s cooking played in the Ginsburg household. A few months after I bought the cookbook (and then filed it on a shelf), I attended Notorious RBG: The Life and Times of Ruth Bader Ginsburg, the exhibition based on the eponymous book, at Philadelphia’s National Museum of American Jewish History. The final exhibit was a mock-up of a small kitchen that showcased a couple of very special artifacts: Martin’s whisk and his mortar and pestle, under glass.

Before making my selections from the 47 recipes in Chef Supreme: Martin Ginsburg, which were compiled by Martin’s fellow Supreme Court spouses and published in 2011 as a memorial to him, I sat down and read the book cover to cover. As cookbooks go, this one is truly funny, thanks to Martin’s wry editorial comments, as well as tasty memories recounted by friends and family and larded through the recipes.

Recipe #1: Quick Ratatouille

I started with a simple recipe, which is probably what Martin himself did when he confronted the fact that neither of the newlywed Ginsburgs could cook. He rightly judged himself to be the one most inclined to appreciate The Escoffier Cookbook, a wedding gift. Reportedly, he worked his way through all the recipes, as meticulous as the tax lawyer he was.

Quick Ratatouille
Quick Ratatouille

Quick Ratatouille was an easy win for me. With fresh produce seasoned with thyme, bay leaf and garlic, it was a delicious and satisfying meal. Emboldened by my success, I moved on to Shrimp in an Indian Manner. It was scrummy: whole shrimp cooked in a coconut milk sauce enlivened with onion, garlic, ginger, jalapeño, coriander and turmeric, and served over rice.

Shrimp curry
Shrimp in an Indian Manner

The selected recipes, whittled down from hundreds in his collection, indicate that Martin favored Indian, Italian, Chinese and French cuisine. As an acolyte of Escoffier, he of course enjoyed baking baguettes and mastering – while adding his own stamp — Pissaladière, a traditional recipe from Nice that features caramelized onions, anchovies and black olives baked on a pizza-like crust.

In his detailed notes, which go on for four pages, Martin offers a caveat to anyone attempting his Pissaladière recipe: “The above recipe may be only authentic mid-Manhattan, but on information, belief and ten years of testimony from innumerable diners – including my wife who is otherwise a confirmed anchovy hater—it is more than edible.”

My not-so-perfect baguette

Weighing in at five pages, Martin’s directions for baking The Perfect Baguette take the cake, or bread, for longest and most detailed recipe in the book. A note from a former law student of Martin’s, Leslie Karst, who had transcribed her professor’s telephoned instructions, reveals that this “perfect” recipe was the culmination of several years of his tinkering.

Alas, I should have tinkered a bit more myself. My version achieved the perfect texture and taste, but failed in the crunchy crust department. As directed, I got a cast iron skillet piping hot before slipping it into the oven in the narrow space between two racks. The three small baguettes were already settled on the top rack, sizzling atop a hot pizza stone. But I had neglected to check if the skillet would slide right in, and from there receive the three ice cubes that were ready to drop into the skillet. The resulting burst of steam would create the crunchy crust.

The skillet didn’t fit. Flustered, I replaced the hot skillet with one that fit — a smaller, room temperature skillet. In went the ice cubes, which melted, with no steam to speak of, faster than my dreams of a crunchy crust.  

Tarte Tatin is yummy

Tarte Tatin
Tarte Tatin

But the larger cast iron skillet came into play later when I used it  to bake the caramelized apple slices sheathed in flaky pastry known as Tarte Tatin. The skillet stood in for the specialized copper pan called for in the recipe.

My guess is that Martin’s collection of copperware was as extensive as James Beard’s; in a reminiscence of the Ginsburgs, Stephen Kanter, the emeritus dean of the Lewis & Clark Law School, wrote in my hometown newspaper, The Oregonian, that when the couple traveled to Portland to address graduates of the 1992 class, they eschewed the offer of luxury lodging in favor of a place with a kitchenette. Why? Martin had packed an assortment of his copper pots and pans. He didn’t want to miss any opportunity to be chief nurturer of Justice Ginsburg.

Dishing up love

In an essay about her father in Chef Supreme, Jane Ginsburg recalls that Martin continued to cook for his wife, even when illness robbed him of his own appetite and his ability to stand in the kitchen without pain.  Still, Jane wrote, it was a joy for him to ensure “that she ate well and with pleasure.”

I tried other recipes in the cookbook and in the future will try even more, especially after realizing that part of the fun is imagining Ruth taking a bite of whatever dish is sitting before me, and then imagining Martin beaming over her appreciation. Every day he dished up doses of true love for her. Every day she reflected that love back to him. It is by cooking with his recipes that I gain a glimpse of lofty ideals, both in cooking and in love.

Zoom Bloom: Bloomsday in a Time of Coronavirus

James Joyce

It was exactly 50 years ago that I attended my first Bloomsday. At age 22 I had a strong sense of priorities, so I skipped my college graduation in order to wake up early in Dublin on June 16th, ready to trace the routes followed on that day in 1904 by the two protagonists created by James Joyce for his masterpiece, Ulysses.

The year was 1970, but the crowds of scholars I anticipated joining at various Joycean landmarks did not materialize. I wondered if I were the only Joyce enthusiast in Dublin who was celebrating Bloomsday, named in honor of the book’s main character, Leopold Bloom, whose peregrinations, along with those of Stephen Dedalus, are described in the 1922 novel.

Looking back, I would have been safe on that deserted Dublin day from coronavirus, had it then existed. The empty streets of 1970 will be replicated for this year’s Bloomsday, but this time out of necessity rather than neglect. Although there undoubtedly will be more Bloomsday celebrants than in 1970, they will not be strolling, but confined to the Hollywood-Squares-style boxes of Zoom meetings.

According to what I have read, Dublin didn’t officially start honoring Joyce and his literary achievements until the centennial of his birth, in 1982. Resentments lingered over Joyce’s sometimes uncharitable depiction of Dublin and Dubliners, not to mention embarrassment from 1930s obscenity trials in both the US and UK over the novel’s content.

In 1982, however, a slew of international Joyce scholars picked Bloomsday in Dublin for

James Joyce Statue

the date and site of their symposium.  The city, at last deciding to let bygones be bygones, rolled out the red carpet. Dublin never looked back. In 1990 the city even erected a bronze statue of the author holding his walking stick. Ever irreverent, Dubliners dubbed the statue “the prick with a stick.”

In 1996, the James Joyce Centre was established in a 1784 townhouse just down the street from Joyce’s alma mater, Belvedere College. On Bloomsdays past the center has offered Joyceans a number of Ulysses-themed walking tours of Dublin. It also houses exhibits and artifacts, including the actual front door of No. 7 Eccles Street, the address Joyce chose for the fictional home of Leopold Bloom. In 1970 I viewed that exact same door in a pub, The Bailey, where it had been on display since 1967.

A more recent local tribute was in 2003 when the James Joyce Bridge was built across the River Liffey and dedicated on Bloomsday. Better a bridge than a “disappointed bridge,” the term Stephen Dedalus uses in the second chapter of Ulysses to describe a pier.

The first Bloomsday is thought to have occurred in 1924, the 20th anniversary of the day recounted in the novel. In a June 27 letter that year to his patron, Harriet Shaw Weaver, Joyce makes mention of “a group of people who observe what they call Bloom’s day – 16 June.”

Thirty years later, on the 50th anniversary, a small group of Dublin authors famously attempted to visit all the landmarks mentioned in Ulysses by horse-drawn carriage, the same transportation used by Leopold Bloom on his way to a funeral. Once the group of literati hit the aforementioned Bailey, however, the drinks flowed freely and the tour came to a sudden and sodden halt.

Reading Ulysses at the Rosenbach

Meanwhile, Bloomsday came to be an annual event in locations around the world. In 1992, for example, the Rosenbach Museum and Library in Philadelphia held its first Bloomsday event. The next year, the street on which it’s located was closed to vehicles for what became a tradition of beginning-to-end outdoor readings of Ulysses by local notables. The Rosenbach bears the distinction of housing the original hand-written manuscript of Ulysses.

Since 1994 there has even been a Bloomsday celebration in the Hungarian town of Szombathely. Why? Joyce described Leopold Bloom as the son of Rudolf Virag (which means bloom in Hungarian), a native of Szombathely. The town repaid the compliment by erecting a bronze statue of Joyce in time for the Bloomsday centennial, 2004.

But this year the celebrations will either take a year off or will bloom in a vast bouquet of Zoom meetings around the globe. In New York City, Symphony Space’s annual staged readings of Ulysses, Bloomsday on Broadway, will go on. Since the event’s beginnings in 1981, this will be the first Virtual Bloomsday on Broadway, and will be shown on YouTube.  Stephen Colbert kicks off the event at 8 a.m. (the time at which events of Ulysses are launched) with a reading of Telemachus, or Chapter One.

Similarly, there will be (mostly free) online events at Dublin’s James Joyce Centre, at the Rosenbach Museum, at the University of Buffalo (which boasts the largest Joyce collection in the world), at San Francisco’s Mechanics’ Institute and in many locations around the world.

My dream for Bloomsday 2020 was to recreate my visit to Dublin of 50 years ago and then

Joyce with Sylvia Beach in Paris, Shakespeare & Co.

to embark on a true Joyce journey across Europe, visiting again the places where Joyce lived and wrote: Trieste, Paris and Zurich. Obviously, I’m now prevented by a pandemic from carrying out my plan.

But in a sense, the online activities I have lined up for June 16th will allow me to out-Bloom Bloom. He spent that day going from place to place, all within the confines of the city. I will spend the day traveling the world, dropping in on one Bloomsday celebration after another, soaking up the festivities, all within the confines of my computer. Who wouldn’t say “Yes” to that?

“Finding David Douglas” film now on YouTube

I’m happy to share a link to “Finding David Douglas,” now on YouTube. I wrote the script for this documentary film, which was initially released in 2012.

David Douglas

David Douglas

My friend from childhood (we met at Girl Scout camp and then were high school classmates), Lois Leonard, invited me to be the writer for her film. She said she always liked my writing and that we shared so many interests, including history, the outdoors and all things Hawaiian.

Lois Leonard (facing camera) and film crew

The last part of the 55-minute film takes place in the Hawaiian Islands, on the islands of ‘Oahu and Hawai’i. David Douglas, a 19th-century botanist-explorer from Scotland, spent time on both islands before his untimely death on Mauna Kea on July 12, 1834. He was just 35.

Douglas was, in fact, the first non-native to climb both Mauna Kea and Mauna Loa, the snow-capped volcanoes on Hawai’i Island. He did so for the purpose of collecting native plants, most of which were then unknown to European naturalists.

As he was walking across the lower elevations of Mauna Kea on his way to the town of Hilo, he had a fateful encounter with a wild cattle trapper named Ned Gurney. Many accounts blame Douglas’s death on one of Gurney’s trapped bulls; most of our film crew came to believe that Douglas was murdered by Gurney and his body thrown into the trap, already occupied by an innocent bull.

Bronze plaque from 1934 memorial

Some beautiful scenes were filmed in a grove of Douglas fir trees (imported from the Pacific Northwest) that were planted next to the pyramid-shaped stone memorial that marks the site of Douglas’s death. David Douglas is buried at the Kawaiaha’o Church Cemetery in Honolulu.

Douglas firs and koa trees

I hope you’ll take the time to view the “Finding David Douglas” video so you can appreciate Douglas’s accomplishments as a plant collector. For one thing, the seeds from Douglas fir and spruce trees that he sent home to London resulted in the re-growth of depleted forests in the UK and Europe.

My advice for anyone who wishes to visit the David Douglas Memorial on Mauna Kea: Make the trip in a 4-wheel-drive vehicle. The road is pretty rough. Keep in mind that the hardy Douglas was making the entire trek on foot.