Archive for Susan Hauser

My Stay in a Media Pen

It never fails to strike fear in my heart when I hear of politicians who have railed against journalists, trying to persuade their followers that it is the fault of the journalists that there are blots on their records, not through any wrong-doing of their own.

The Press

The Press

Recently I read an article by a woman journalist who has been following the Trump campaign. She said that her comfort level has plummeted over the months of the campaign so that on some days she really feels threatened by the anti-journalist fervor that Trump stirs up in his followers. She said that as she stood with other reporters listening to Trump’s latest rant against her kind, a woman in the audience turned to look at this journalist with withering disgust. “Bitch!” she said. She told of a TV news cameraman who was scanning the crowd with his camera, only to be met by a Trump follower who jutted his two middle fingers into the viewfinder.

One thing this journalist wrote particularly struck me and brought back a flood of unpleasant memories from my experience of covering George Bush’s first inauguration for The Wall Street Journal. She referred to being in the journalists’ pen. When I got rustled into a media pen at the inaugural ball, I thought this was just a Bush thing, a way to keep journalists under control. I have no idea if Democrats also round up journalists and pen them during events; I just know that it felt pretty awful to be treated like livestock.

All the President's Men

All the President’s Men

When I arrived at the ball and presented my press credentials, the woman who checked me in called out, “Susan Hauser, Wall Street Journal,” and instantly a handsome young man appeared at my side, held out his arm and escorted me into the ballroom. I thought, “Yeah, this is all right! They know how to show respect.” But my self-satisfaction dissolved when my escort took me over to a corner where journalists were ordered to stay. He led me to an empty chair and told me I was required to sit in that chair for the duration of the event. “We don’t want you on the floor when the President arrives,” he said.

“What if I need to go to the bathroom?” I asked. He gestured to a number of people whose name tags bore a color that identified them as being part of the event staff. “Get the attention of one of the monitors if you need to be taken to the bathroom.”

On either side of me were reporters from the New York Times and the Washington Post. I also chatted with a woman who was an editor at Newsweek magazine. Impressive publications – to me, certainly, but probably not to the Bush folks that night.

I did get taken to the bathroom once and felt like I was in kindergarten. Finally, I waited

His Girl Friday

His Girl Friday

until all the monitors were looking the other way, turned over my name tag so no one could see the offensive word PRESS and I took off and never looked back at the pen where my fellow journalists were still imprisoned. I felt so reckless, so dangerous, so free.

If that had happened in 2016 instead of in January 2001, and if the Great Man in question had been Trump instead of Bush, who knows what would have happened while I was enjoying my freedom from the pen. I might have gotten beat up. Maybe even shot in the back! At the very least, I would have been ejected from what wasn’t much of a party. I mean really: Marie Osmond and Meat Loaf as headliners?

These are dangerous times indeed for journalists covering American politics. I hope every one of them survives to celebrate the election of Hillary.

 

“Hyperbole and a Half” — a Bill Gates pick

I just finished a book that was recommended by Bill Gates. Yeah, that Bill Gates. TheBillGates Microsoft guy.

I never imagined that I would ever be following book recommendations by Bill Gates, but after I stumbled upon an article about his book blog, I found the subject intriguing enough (I mean, if I can never find time to blog, how does a hugely powerful and busy business leader manage to write a book blog?!) that I not only read the whole article, but I made a Hyperbolebooknote of one of the books mentioned in the article, “Hyperbole and a Half.” The article said Gates had found this graphic memoir laugh-out-loud hilarious.

The article also mentioned that the author, Allie Brosh, is a young woman living in my home state, in the city of Bend, Oregon, where she writes her blog of the same name, Hyperbole and a Half. Bill Gates + laugh-out-loud + Oregon was enough to send me to the library.

It was a strange sensation to be reading Brosh’s book and enjoying her crude but clever illustrations, and all of a sudden to laugh out loud. Every time that happened, I felt a special kinship with Bill and I wondered if the scenes that had tickled me were the same ones that had made him explode in an appreciative laugh.

First of all, Brosh’s own character, which she drew with Paintbrush, amused me every time it appeared. At first I thought she was depicting herself as a fish with a pink body and cakeyellow dorsal fin. But no, I read that the drawing was of a girl with a blonde ponytail and a pink dress. Her odd looks add to the humor of her stories, particularly “The God of Cake.”

I also loved her dog drawings. She has two dogs: the simple dog and the helper dog. The Allie's dogsfluidity of her drawings make the dogs look like they’re made from Silly Putty. But at the same time, these goofy creatures are uncannily realistic. I recognized my own dog’s behavior in their odd antics. I also recognized my own behavior and some of my own secret demented thoughts in Brosh’s character. She is excellent at pinpointing human foibles.

Brosch also tackles quite serious topics, namely her own battle with depression. But what better therapy for her than to bring cheer to others with her hilarious illustrated memoir and to gain recognition and respect for her delightful creativity.

Thanks for the book recommendation, Bill Gates! Keep ’em coming!

The Big Red One

The Big Red One

The Big Red One

In the past eight months, I’ve become quite the expert on war films. Nine months ago, I would never have imagined myself making that claim.

I had an aversion to war films. I avoided watching them, believing that I abhorred violence and any bit of manipulative moviemaking that might inspire a new, untouched generation to try their hand at war.

But that was before I met Mel. Last December I got an email from a woman in San Francisco and an Air Force veteran who said she was seeking a writer for a man with whom she’d been corresponding. He was a 93-year-old veteran of World War II, the Korean War and the Vietnam War. He had been wounded and highly decorated in all three wars.

I agreed to meet him. Something abut his character and spirit compelled me to say yes to his request that I write his biography. We began meeting at least once a week to talk about his life as a soldier. My respect and affection for him grew with each meeting.

Sometimes words failed him when he was trying to express a strong emotion about warfare. When that happened, Mel would give me a film recommendation. To better understand him and what motivated him — not only to lead men in combat in three wars, but to perform extraordinary feats of heroism and risk his own life to protect the men he commanded – I started watching war films.

After watching about a dozen films, I thought I had seen most of the notable World War II films . . . and then some. I had heard of Gregory Peck’s The Man in the Gray Flannel Suit, but hadn’t realized that Peck played a former paratrooper, like Mel. And I watched William Holden in The Bridges of Toko-Ri, mostly because Mel was so taken by the last line: “Where do we get such men?”

Each of Mel’s film recommendations gave me a special insight into his character. And then just last week I stumbled across one I hadn’t yet seen: The Big Red One.

This film caught my attention because Mel had served with the 1st Infantry Division and was proud to be part of The Big Red One. But he had joined their ranks while in post-war Germany.

This story, starring Lee Marvin and Mark Hamill, was autobiographical, about the experiences in World War II of the director, Samuel Fuller. It told of a squad of four privates (including the soldier modeled after Fuller) led by a tough sergeant who was a veteran of World War I.

Lee Marvin, squad leader

Lee Marvin, squad leader

The Big Red One fought in North Africa and Europe. Mel, commanding a platoon of fellow paratroopers, fought in the Philippines. Despite the differences, it was this film that best helped me understand Mel, male camaraderie, and a soldier’s toughness and tenderness. I saw Mel – as he was in later wars, as a seasoned veteran — in the character of the sergeant, played beautifully by Lee Marvin.

Sadly, Mel died just four and a half months after we met. My book proposal was based on the 18 interviews I had with him. If I get the green light to write his life story, I’ll do an even better job of it after seeing this extraordinary film, The Big Red One.

The film was first released in 1980, but it had been butchered by the studio from Fuller’s original four-hour length. The film was restored and, at a length of almost three hours, entered into the Cannes Film Festival in 2004. Mel never mentioned seeing The Big Red One, but I think he would have loved it. Of the dozen or so war films I’ve seen since meeting Mel, this was my absolute favorite.